Marian ANDERSON (1897–1993): Candid Photographs (OPERA) (CONTRALTO)

Description

Anderson, Marian. (1897–1993) [Steinberg, Irv. ]
Candid Photographs
Collection of four original candid photographs of the great contralto, taken by Irv Steinberg with photographer's stamp to verso.  Two photographs hand-inscribed to verso "Marian Anderson / Jan. '63 - 'Firestone' - at Waldorf," third photograph "Crystal Ball Apr. 63 / Marian Anderson."  In fine condition.  4.625 x 3.25 inches (11.8 x 8.4 cm.).
Anderson was a great favorite of Toscanini and, in 1955, broke the color barrier by becoming the first African-American to perform at the Metropolitan Opera. She remains a legendary figure in the history of opera, remembered for, among other highlights, her Lincoln Memorial concert and her performances at the inaugurations of both Presidents Eisenhower and Kennedy.
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Donald Gramm as the Justice of the Peace in Massenet's Werther. Metropolitan Opera Photo by Louis Melancon
Donald John Gramm (February 26, 1927 – June 2, 1983) was
an American bass-baritone
whose career was divided between opera and concert performances. His appearances were primarily limited to the United States, which at the time was unusual for an American singer. John Rockwell of The New York Times described Gramm as follows: "He had an unusually rich, noble tone, and although its volume may not have been large, it penetrated even the biggest theaters easily. Technically, he could handle bel-canto ornamentation fluently. But his real strengths lay in his aristocratic musicianship (impeccable phrasing that he polished by accompanying himself at the piano, and an easy command of five languages) and his instinctive acting." Among the most notable of his many operatic roles were the title role in Verdi's Falstaff, Leporello in Mozart's Don Giovanni, and Dr. Schön and Jack the Ripper in Berg's Lulu.
Louis Mélançon
(1901-1974) was the in-house
photographer
for the Metropolitan Opera from 1947 to his death in 1974.